The resident dispatch's turn now runs under a steer select: the
messages route, after its ingest, signals a per-key interrupt registry,
the drop lands at the turn's current await (an in-flight shell command
dies with it), the dangling calls close, and the dispatch loops on the
same lease — the steered message runs as the next round, same session,
same stream. The interrupted turn closes on the stream with turn_done
carrying outcome "steered", and the shim's whole and streamed
answers both wait through steered end markers for the round that
actually replies.
The messages route answers 202 the moment the message is accepted; the
drain pass runs detached, so a turn's minutes never hold the request
open. The web composer leans on that: it never closes for a running
turn, the placeholder and the send button say that sending steers, a
steered outcome gets its own tone, and the sent-row echo dedup pops a
pending list instead of comparing the last item — a steered chain's
extra end marker can no longer double the row.
The (+) door and the clipboard door both stage files as removable
chips, the claw's own budget enforced client-side (eight a message,
5 MiB decoded each, errors surfaced, never silent drops). The sent
row renders local previews at once; the stream's user_message echo
carries the stored ids and dedupes against it, so a replayed message
renders its thumbnails through the same bearer-guarded fetch as an
attachment card. Model options mark vision when the listing knows.
Fold thinking deltas into the turn's stream-ordered entries as a
thinking entry, merged back-to-back the way the stream delivers
them, instead of one flat string rendered above every call. Each
thinking block now sits where it streamed — between the calls it
precedes. Live turns keep their thinking expanded; finished turns
render it collapsed.
The stored `colors` key names a palette — rhema (the default,
Jadeite), aquamarine, black-and-white, or dracula — and the
Appearance page of /settings cycles it live, like the theme and
icon toggles beside it. Each palette carries a dark and a light
appearance under the existing `theme` key; dracula's light side is
derived, the official palette ships only dark.
The appearance decision moves off token comparison: Theme now
answers is_dark() from the ground/text luminance, so palettes
beyond the original two get the right per-profile fallback tones.
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